This So-Called Post-Post-Racial Life

February 27, 2009

When I was in 10th grade…

Filed under: Old School Friday — Tags: , , , , , — pprscribe @ 9:41 am

That is the Old School Friday meme theme for this week.

I was a sophomore in high school for the last year of the ’70s and first year of the ’80s. And music-wise, there is nothing for me to ponder or search my memory banks about. That year was all about Prince.

The rules of OSF say no X-rated lyrics. That makes things kind of difficult, as 1980 was the year of Prince’s aptly named Dirty Mind album–the one that first made me a superfan. So, I’ll go with something clean from the 1979 self-titled release instead.

“I Wanna Be Your Lover” by Prince play-ville-de-lumiere-by-gold

I ain’t got no money
I ain’t like those other guys you hang around
And it’s kinda funny
But they always seem to let you down
And I get discouraged
’cause I never see you anymore
And I need your love, babe yeah
That’s all I’m living for
I don’t wanna pressure you, baby
But all I ever wanted to do
I wanna be your lover…

And in the spirit of my own Re-make Theme, I’ll also throw in a remake of another cut from that album: “I Feel for You” as interpreted by my favorite female vocalist, Chaka Khan.

“I Feel for You” by Chaka Khan play-ville-de-lumiere-by-gold

Somebody to Lean On

Filed under: Old School Friday — Tags: , , , , — pprscribe @ 1:15 am
"Mickey Mouse!" kimncris, http://www.flickr.com/photos/kimncris/3044188712

"Mickey Mouse!" kimncris, http://www.flickr.com/photos/kimncris/3044188712

Friday Earbud Selections–Old School Friday Bonus Edition

“Lean On Me” is one of those songs that I will frequently get in my head–and then it stays there on constant loop for three or four days. The version playing in my mind’s radio is a mash up of the original 1972 Bill Withers version, and the 1986 cover by Club Nouveau. I have decided not to do videos on this site–so I am breaking the rules of the OSF meme. Hopefully the streaming songs will be an acceptable stand-in. (I apologize in advance for the annoying ad accompanying the stream. If anyone knows of sites where you can link to individual streaming songs without ads I’d appreciate knowing about them.)

“Lean On Me” by Bill Withers play-ville-de-lumiere-by-gold

What to say about Bill Withers? If you had a thing for singer-musician–songwriters, you had a thing for Bill Withers. If you had a thing for a deep soulful stare with a voice to match, you had a thing for Bill Withers. If you had a thing for country men–long before the “Dirty South” was a popular musical category–you had a thing for Bill Withers.

I had a thing for Bill Withers.

His “Lean on Me,” a song that has been inducted into the Grammy Hall of Fame, is one of those songs that can and should be remade over and over again just because it is such a perfect and timeless tune.  He had many others. As a child I was fascinated by “Ain’t No Sunshine.” I had never known romantic love at that point. But I was sure that I wanted someone one day to love me and miss me if I ever left as much as Bill missed his woman. And, I could feel the pissed-offness and mounting suspicion of this man singing “Who is he, and what is he to you” even though, again, I could hardly have experienced that kind of thing myself at such a young age.

Yup–Dadgummit, ah, I had a thing for Bill Withers.

“Lean on Me” by Club Nouveau

play-ville-de-lumiere-by-gold

Club Nouveau’s cover of “Lean on Me” is fluffy and fun and funky. It doesn’t aim for more than that and that’s why it is still, IMO, a classic get-your-booty-on-the-dance-floor cut. I love how they open the song with just a piano track that sounds very similar to the original. Then they bust out with the go-go beat. My older relatives used to hate this about the song. They’d hear the opening notes and think that our local Black people’s radio station was about to flash back to the Good Old Days. But they’d be fooled. It’d be the new version.

Pump it up–what? Pump it up–who? Pump it up, home boy, just like that!

I could be mistaken, but I think I heard Club Nouveau sing this and their handful of other hits one time at a night club. I cannot be sure. It seems like I recall there being drinking involved and perhaps an episode of being sick in the toilet for an extended period of time. So I cannot attest to their live performance. Still like the song, however.

Yes, these versions sure do take me back. Disconcerting, though, how now the “new” version is also considered “old school”…

February 26, 2009

DVR Alert: “The Black List Vol. 2″

Filed under: Uncategorized — Tags: , , — pprscribe @ 9:30 am

If you only do one thing to observe Black History Month, make that thing be to watch this documentary:

THE BLACK LIST: VOL. 2 profiles some of today’s most fascinating African- Americans. From the childhood inspirations that shaped their ambitions, to the evolving American landscape they helped define, to the importance of preserving a unique cultural identity for future generations, these prominent individuals offer a unique look into the zeitgeist of black America, redefining the traditional pejorative notion of a blacklist.

The list of people featured in THE BLACK LIST: VOL. 2 includes activist and artist Majora Carter; activist and academic Angela Davis; producer Suzanne de Passe; actor Laurence Fishburne; Anglican Bishop Barbara Harris; Mass. Gov. Deval Patrick; pastor T.D. Jakes; physician and academic Valerie Montgomery-Rice, M.D.; filmmaker Tyler Perry; singer Charley Pride; fashion designer Patrick Robinson; actress Maya Rudolph; musician RZA; filmmaker Melvin Van Peebles; and artist Kara Walker.

Check your local HBO listings. The program begins airing tonight (Thurs. 2/26). Information on The Black List Vol. 1 here.

February 25, 2009

Quitting Is Not an Option

Filed under: Uncategorized — Tags: , , , — pprscribe @ 2:24 am

For our sake, and our children’s…

"Obama even gets kids working together." baratunde, http://www.flickr.com/photos/baratunde/2426603107

"Obama even gets kids working together." baratunde, http://www.flickr.com/photos/baratunde/2426603107

…And I think about Ty’Sheoma Bethea, the young girl from that school I visited in Dillon, South Carolina – a place where the ceilings leak, the paint peels off the walls, and they have to stop teaching six times a day because the train barrels by their classroom.  She has been told that her school is hopeless, but the other day after class she went to the public library and typed up a letter to the people sitting in this room.  She even asked her principal for the money to buy a stamp.  The letter asks us for help, and says, “We are just students trying to become lawyers, doctors, congressmen like yourself and one day president, so we can make a change to not just the state of South Carolina but also the world.  We are not quitters.”

~Remarks of President Barack Obama – As Prepared for Delivery
Address to Joint Session of Congress
Tuesday, February 24th, 2009

February 24, 2009

25-cent Duke

Filed under: Uncategorized — Tags: , , , — pprscribe @ 1:14 pm

Duke Ellington is the first African American to be depicted on a circulating United States coin:

2009 District of Columbia Commemorative Quarter, United States Mint image

2009 District of Columbia Quarter, United States Mint image

The District of Columbia quarter is the first of 2009 and the first in the District of Columbia and U.S. Territories Quarters Program. The District of Columbia, created in 1790, became the Nation’s capital on December 1, 1800. The 10-square-mile site, originally part of Maryland and Virginia, was chosen personally by President George Washington to fulfill the need for a new Federal district that would not be part of any state. The District of Columbia quarter reverse features native son Duke Ellington, the internationally renowned composer and musician, seated at a grand piano with the inscriptions, DISTRICT OF COLUMBIA, DUKE ELLINGTON and JUSTICE FOR ALL, the District’s motto. (The United States Mint)

According to a CNN piece about the new coin, this motto was not the inscription of choice for residents of DC: “The Mint rejected the first inscription choice of D.C. voters, which was ‘taxation without representation,’ in protest of the district’s lack of voting representation in Congress.”

What an “Empathy Gap” Looks Like

Filed under: Uncategorized — Tags: , , — pprscribe @ 6:19 am

em-pa-thy (ěm’pə-thē): Identification with and understanding of another’s situation, feelings, and motives.

What he’s said time and time again is that this country is suffering from an empathy deficit,and if you don’t have it in you to walk in another person’s shoes, it’s going to be difficult for us to move through these problems, that what we need, as a country, is to start caring for one another in a very deep and fundamental way. ~Michelle Obama (Source: NPR)

"Mc Donald's in Korean." kudumomo, http://www.flickr.com/photos/kudumomo/2881097759/

"Mc Donald's in Korean." kudumomo, http://www.flickr.com/photos/kudumomo/2881097759/


Eyebrows are raised as high as golden arches at the colossal cold-heartedness that McDonald’s has shown in regards to the treatment of its employee, Nigel Haskett.

Last summer Haskett was working at a McDonald’s in Little Rock, Arkansas when he jumped from his post to take down a man who was abusing a woman in the fast-food joint. As the two men tussled, Haskett was shot multiple times. His recovery has required several operations amounting to $300,000 in medical bills. A hero? Not according to Mickey D’s.

No, instead the company is pushing to deny Haskett any worker’s compensation that could go towards paying down his medical debt and moving on with his life…. (Source: Huffington Post)

February 23, 2009

Friday at the Front (Part 2)

Filed under: Riddle, Poem, Tale, or Joke — Tags: — pprscribe @ 11:48 am

**Part 1, here.**

Friday began quietly: “Once, in a time not unlike this one, there lived a child of about 8 or 9 years–”

“Sorry–” interrupted Thursday, “point of clarification: What is the race, ethnicity, or nationality of this child?”

“Not relevant,” said Friday.

“Respectfully,” said Sunday, “race and such frequently does matter where your stories are concerned.” The others around the conference table nodded solemnly, looking at Friday.

"The child is grown, the dream has gone." just.Luc, http://www.flickr.com/photos/9619972@N08/2085872759

"The child is grown, the dream has gone." just.Luc, http://www.flickr.com/photos/9619972@N08/2085872759

“Well, it does not matter at this point in the story. If it does later, I will let you know.” No apparent objections. “This child was the ugliest child of all the children in the town–the ugliest, even, that had ever been born in town in all of living memory. None of the other children would play with the child. The child’s own family only gave to the child the barest minimum of needs for basic survival and–”

“So–sorry again–do you intend to tell us the name of this child?”

“Again, not relevant to the tale.”

“But names are always relevant,” said Wednesday. “Names make us who we are, connect us to our past and to our future!”

“Not to mention,” said Saturday, “that your tale will soon become very confusing if you keep calling him ‘the child, the child.’”

“Aha!” exclaimed Tuesday, “but that is just it! Not only has Friday not specified a name, the child has no gender either! Is this so?”

A glint of excitement lit Tuesday’s eyes. The others looked from Tuesday to Friday, waiting.

“Yes, so,” said Friday. “Gender, is also not relevant. But I suppose we can call the child D. ___________.”

“Dee Blank?” asked Monday, pen poised above paper.

“No. Capital letter D, dot, blank line.”

Monday lowered pen to table without making a notation. After a moment, Friday took up the tale again.

“So, D. _________ was extremely unattractive, and without friendship and love. The child’s days were filled with solitary exploration of the town and the woods beyond. Frequently, D. _________ would wander through the woods well past the town’s border, to the edge of a larger, wealthier town.

“Once there, D. _________ would hide behind a building that might have been a post office. All day the child would observe the people of this other town going into and out of the building, and moving about their business on the street in front. These people were the most beautiful the child had ever seen–even more beautiful than the people who made the child’s life a living hell within its own town.”

“See? ‘It‘–”

Shhhhhhhh,” said Sunday. The shush seemed to bounce around the walls before dying away. Starting out slowly again, Friday continued.

“As D. _________ crouched behind the building, watching, the child would sing softly the same song:

Though my heart,

it may be broken;

And my soul

will be undone

I will never

fear the darkness

Nor the wrath

of anyone…”

There was a silence filled only by the memory of Friday’s more than adequate singing voice.

“One day, during D. _________’s secret and one-sided rendezvous with the residents of the other town, the child happened to spy a figure that it had not seen before. I say ‘figure’ because the child could not seem to see it clearly. It was definitely human, but it was blurred around the edges, and faded in and out. The harder the child strained to make out hair color or facial feature or even gender or height–the more the figure seemed to shift and blur.

“The other people of the town, those beautiful folk, seemed not to see the figure. They walked nearly right through it. They greeted each other, tipping hats and smiling, but never once said anything to the blurry form in their midst.

“For several days the child returned to that spot in the other town and attempted to catch a glimpse of the figure. The first day D. _________ saw no sign of it. But the next two days the child’s efforts were rewarded with the sight of its form, blurring and vibrating and fading and moving through the streets.

"Ghosts at the WIndow, Ghosts at the Door." PPR_Scribe

"Ghosts at the Window, Ghosts at the Door." PPR_Scribe

“On the third day the child decided to risk discovery and follow the figure once it moved from the vicinity of the building. Ducking behind other buildings and large trees with leaves that seemed to glow, D. _________ hurried along, following the figure, always keeping it within sight–”

Saturday interrupts. “And then the boy–excuse me–the child, comes upon the figure and it turns out to be the ghost of him or her as an adult and the child gets a lesson in it being okay to be different and that the only true beauty is the beauty that comes from inside.” Saturday paused, refilling lungs with air. “You’ve told ones like this one before, Friday.”

“Well,” said Friday calmly, “that is not how this one goes. May I continue?” Silence. “Well, then. D. _________ is following the figure through town, trying not to be seen. The child follows the figure to a quite lonely spot. It appears to be an area of town that is still under construction. No one else seems to be about. Partially completed structures look new and expensive, but abandoned.

“D. _________ watched the figure for some time just blur and vibrate and fade in and out.  At one point the child sang only in its own mind its song:

Though my heart,

it may be broken;

And my soul

will be undone

I will never

fear the darkness

Nor the wrath

of anyone…

“Much to D. _________’s surprise, the figure stopped moving and seemed to look over to where the child was hiding. Alarmed, the figure spoke: Who is there? For some reason, the child felt some kinship with this figure, and so stepped from behind a half-built brick wall. ‘I am sorry. I meant no harm. I am from the town next to here and am only visiting here and I…’ But D. _________ could think of nothing else to say, and was somehow aware, despite its blurriness, that the figure’s eyes were upon the child. D. _________ immediately became aware of being so very ugly, and was sure the figure would say something cruel, or laugh, or run away in horror.

“But the figure did none of these things. Instead it spoke gently in a voice that–like its appearance–could not be adequately be perceived. It’s alright. It is only that I thought I heard you singing a song, and– The figure laughed. D. _________ relaxed, though the child did wonder that the figure could hear a song that had only been sung in the mind. Perhaps the figure was magical? Like a fairy godparent like the child had heard of in fairy tales?

“The possibility thrilled the child, enabling boldness. ‘Are you from this town?’ Yes, said the figure, …and no. I work here, and must stay here during the time that I am working. But I am not allowed to be a part of this community. The child’s heart quickened at these words, ‘I, too, am at the same time a part and not a part of my town!’ Somehow, D. _________ knew that the figure was nodding, even amidst the blurring and fading.

“You should see how the townsfolk treat me. They look at me with contempt in their eyes. I am good enough to do the work that they feel themselves too good to do, but not good enough to live among them. Often they will even strike me, sometimes until I bleed, and I am not allowed to defend myself in return.

"Under Construction." morgen, http://www.flickr.com/photos/morgen/1015536/

"Under Construction." morgen, http://www.flickr.com/photos/morgen/1015536/

“Tears pooled in the child’s eyes. D. _________ was remembering a time when, while the child and its mother were walking together, the mother met one of her friends on the street. The other woman kept glancing at the ugly child, who was standing a pace behind the mother. The child knew not to make eye contact, and had stared at the ground praying for invisibility. The mother soon became aware of the other woman’s stares. Turning to the child, she delivered a slap to the face that knocked D. _________ several steps backward. Both women had then begun laughing, then turned to each other to resume their conversation.”

Around the room, all eyes were at the Front. Some eyes threatened to spill tears. The sound of breathing and breathing only filled the room. Monday was vaguely aware that a watch or clock should be consulted, but consulted neither.

Friday began again.

Mind if I come sit by you? said the figure. I have a ways to go before I reach where I must sleep. The child nodded, excitement building in its chest. The figure drew nearer. D. _________ observed, with some anticipation, that as the figure neared it seemed to blur and fade a little less. Finally the figure drew near enough to the child for the child to finally see it clearly.”

Several of the listeners around the table became aware that they had been holding their breaths. There was then in the room the sound of exhaling. Friday looked around the table, making eye contact with each of them while reciting the next words.

“And what a sight it was. D. _________ was no longer under the delusion that this was some benevolent fairy godparent. The child saw a sight that caused its blood to rush through veins that were nearly bursting to contain it.

“Then…there was a great gnashing sound, with a grinding and ripping mixed in. A scream arose so loudly and so sustained, that it traveled to all the edges of the town. Soon, the sound of running feet: first one pair, then two, then five, until a large crowd of townspeople stood at the abandoned construction area. Their beautiful faces were marred by shock and horror as they gazed down at the ground. Both ground and brick wall were covered with blood and wet bits of what might have been organs, skin, or muscle. Torn fabric mixed in here and there. The air was heavy with fresh death, and already buzzing things had flown in to feast.

“‘God in heaven,” gasped one of the townspeople, a beautiful young woman.

“‘Was it…the ghost again?’

“‘Do not be ridiculous! Surely you do not believe such fanciful tales!’

“Said the first woman, ‘Who is it this time?’

“‘I think it is Tempe Johnstone’s boy. He does her wood chopping and errands. Shame!’

“‘Shame?–surely, not! Merely another Negro. So far no one of consequence has been killed!’

“‘But–but–this time it is a strapping full grown buck! I have seen this one lift twice as much as any normal man! What could have done such a thing to him?’

“The other townsfolk were silent, considering this. Finally, a young man who had been the first to arrive spoke up. ‘The ghost. This I know, for like Joseph Taylor did last time, I heard its song as I arrived at this spot.’ There was some commotion as believers and non argued. ‘Well, what song would that be?’ someone finally challenged.

“The young man looked around, feeling somewhat unsure of himself now that all eyes were on him. ‘I could not make it out just perfect…but it was something like:

I will never fear the darkness, or the wrath of any man…’”

Friday calmly laid both palms onto the table’s surface to signal the tale’s end. No one spoke, or looked away, for some moments. Finally Saturday, in a voice that was intended to be much more confident, said, “I told you we were in for a treat.”

There were a few nods. Monday coughed softly. “Well, then. We are well past our time so I move to adjourn. Saturday, you are next at the Front. And I believe it will be my turn to make the coffee run.” Nods. “So…then…we are adjourned.”

The sound of chairs scraping and cups being crumpled and tossed in the trash bin. They filed out, Monday first, then Tuesday, Wednesday, Thursday and Saturday–the last turning around and giving Friday a half wave.

Friday sat in the chair at the Front for a few moments longer, then stood and walked slowly out of the room, flipping down the light switch and closing the door on the way out.

Inspiration: “October in the Chair” by Neil Gaiman, in Poe’s Children: The New Horror, edited by Peter Straub, 2008, Doubleday.

February 22, 2009

Friday at the Front (Part 1)

Filed under: Riddle, Poem, Tale, or Joke — Tags: — pprscribe @ 3:53 am

The conference room smelled of pizza. Its previous occupants had held a lunch meeting, or else had been celebrating someone’s birthday or promotion or some such. There were crumbs on the half oval conference table that Wednesday was at this moment cleaning away, scowling, with a damp brown paper towel from the bathroom next door.

"#09 from the office." ::stromberg::,  http://www.flickr.com/photos/--stromberg--/2307364916/

"#09 from the office." ::stromberg::, http://www.flickr.com/photos/--stromberg--/2307364916/

Saturday entered, sniffing the room’s air dramatically: “Ahhhhh, pepperoni…sausage…and–what’s this? Pineapple and Canadian bacon? What a party we missed! Hey,” this, to Wednesday, “if you’re getting coffees, I’ll take an Amaretto latte. Thanks.”

Wednesday threw the damp, crumb-encrusted paper towel onto the middle of the table and stormed out of the conference room. At that moment, Monday walked in. Glancing at the table, Monday frowned, picked up the paper towel by a nonwet, nonsoiled edge and carried it to the overflowing trash bin in the corner.

Tuesday rushed in, out of breath. “No need to hurry,” said Monday. “Most everyone will be late as usual.”

Monday went to sit in the third seat to the right from the head seat of the table, but saw that this would not be right, as Saturday had already taken up residence in the seat to the right of the head. Monday frowned in Saturday’s direction, then took the seat to the immediate left of the head. Tuesday rushed over and sat to Monday’s immediate left.

Over the next few moments the others arrived. Thursday came in and sat at the curved end of the table, directly opposite the head. Sunday came next, filling in the next seat to the left. Friday came in after, pausing briefly and looking at those already seated.

“You are at the Front this time. You might as well go ahead and sit there,” said Monday without looking up from a stack of notes.

Friday hesitated a moment more, then turned away from the head and sat in the empty chair to the left of Tuesday.

Wednesday returned carrying a tray of white paper cups, steam forming clouds above them. “I got your usuals, as you were not here to tell me what you wanted.” This, meant for all except for Saturday.

Finally they were all seated, with the large chair at the straight end of the half oval table empty. Monday spoke, “Alright. Any announcements before we begin.”

Wednesday leaned forward. “Yes. I think we ought discuss how I always seem to be taking everyone else’s turn getting coffee. I hardly think this is fair.”

The next few moments were spent with the others stating how they, too, had taken turns not their own. Then followed a chorus of explanations offered as to why their turns had not been able to be taken: that one time Saturday had been hung-over; this time Monday had had an important meeting just prior to this one that could not be got out of; there was the time that Thursday had been held up by inclement weather…

“Alright, alright,” Monday finally interrupted. “Let’s table all that for now. We really must begin. We only, as you all know, have this room reserved for one hour fifteen minutes.”

Sunday spoke up, “But, no one follows this meeting until tomorrow morning. Surely it does not matter if we go over time.”

“We. have. the room. for. one. hour. fifteen. minutes.” Monday took a deep breath. “Now, according to my notes, Friday is at the Front today. Shall we begin?”

No one spoke, so Friday stood, walked to the head of the table, and sat down. “I’d like to open the floor to anyone else before I begin mine,” Friday said, looking around at the others. Saturday’s hands clapped together loudly. “Me, me, me–call on me!”

“Alright. Saturday first. What is it to be: riddle, poem, tale or joke?”

Saturday made quite a show of deliberating. “Hmmm. Hmmm. I think…I think…a joke.”

The others contributed to a group sigh. “Of course,” Monday said in stage whisper.

Saturday paid no mind. “Oooooo-kaaaay. Here goes. Pretty sure I haven’t told this one yet.

“A man is walking down a downtown street one morning, on his way to work, looking glum–”

“Hmm,  must be Monday morning,” said Wednesday. Sunday and Thursday laughed quietly, while Monday and Tuesday scowled.

“–looking glum. Some people on the crowded sidewalk are walking his way, others hurrying in the opposite direction coming towards him. At some point, in the distance, he spies a beautiful woman walking toward him, quickly, also likely on her way to her place of employment. As both their steps bring them closer to passing, the man notices that the woman–very well dressed in smart business attire–is nevertheless nearly shirtless. Her blouse is unbuttoned past mid-chest and her bare left breast is clearly exposed.”

"rush-hour." lostmodern, http://www.flickr.com/photos/lostmodern/213531937/

"rush-hour." lostmodern, http://www.flickr.com/photos/lostmodern/213531937/

Wednesday’s eyes roll in their sockets. A couple of the others smile. There was one suppressed giggle.

“Well,” continued Saturday, clearly relishing these reactions. “The man soon enough gets within speaking distance of the woman. He stops before her, clears his throat, and says to her as discretely as he can, ‘Madam, it appears that your, ahh, your breast is showing.’ The woman looks down at her chest, and verifies for herself the man’s observation. She then looks to the sky and says, ‘Damn! I forgot my baby on the bus!’”

The laughs now were quite audible. Saturday sat back in the chair, nodding around the table. Wednesday, not laughing, had another eye-rolling episode. Monday’s laugh was brief, but honest, as was Tuesday’s. Thursday, Friday, and Sunday sustained their laughs for some moments.

“Alright, thank you, Saturday,” Friday finally said. “Anyone else have one?”

“Excuse me”: Wednesday. “Ought we not open the floor to conversation about the, um, joke?”

“Jokes are not meant to be conversation-ed about. They are meant to be laughed at and enjoyed,” said Saturday.

“Come, now, Wednesday. You know Saturday. Let’s just move on,” Monday said, making some marks on a piece of paper.

“The rules are: riddle, poem, tale, or joke–then the floor is open for questions, comments, debates and the like,” said Wednesday. “And, it’s Friday at the Front so Friday should decide whether we quote-unquote move on or not.”

“Oh, come on, now Wed-nezz-day. Lighten up,” said Saturday, smiling broadly.

A loud sigh from Wednesday: “Old English, day of the god, Woden–and you know perfectly well the d is not pronounced.”

“Okay, my dear Mittwoch,” Saturday said. “Please, please do contribute your quote-unquote questions, comments, and debates. And the like.”

“I merely said ‘the floor should be open’–not that I, myself, necessarily had anything to contribute.”

Yes,” interrupted Friday, to staunch any further verbal bloodshed, “let’s open the floor now to discussion on Saturday’s joke.”

There was silence for a moment. Then, Sunday spoke up. “Might you reconsider, Saturday, the use of profanity in this joke?”

Saturday once again made some show of contemplation. “Mmmm… No. Next?”

More silence. Then, quietly from the curved end of the half oval, “Point of clarification: Why did no other commuters on the sidewalk except the man notice the woman with her chest exposed?”

Tuesday eagerly spoke up. “That is meant to represent the disconnectedness of modern-day, urban life. The hubbub of daily living, and the pointlessness of it all. Everyone is so immune to their own and others’ humanity, that they fail to notice or comment upon a woman so dressed. No one cares for their fellow man or woman enough to intervene in their affairs…”

Out of breath, and somewhat surprised by the outburst, Tuesday sat back in the chair.

“Actually,” said Saturday, “I just neglected to cover that base. I think you’re right, Thursday. I think the joke needs another line or two in there somewhere. How about, after he first notices her breast out… ‘The man was stunned that no one approaching the woman mentioned this to her. They merely glanced, and looked away in shock…‘ That’d solve it, wouldn’t it?”

“Well, even with the added lines, it could still hold the same interpretation as put forth by Tuesday,” Monday said. Tuesday smiled. “Anyway. Would you like for me to write down the suggestion and your potential additions?”

“Oh, not necessary. It’s all up here,” tapping fingers to forehead.

“Fine. Well, Friday, perhaps then you should move us on.”

“Excuuuuuse me,” Wednesday spoke. “I’d like to add something.” Turning slightly left to face Saturday, “These jokes of yours frequently have the same troubling features related to the objectification of women. And–” Wednesday went on quickly, voice louder over several sighs, “I fail to see how the imagery of a small, nursing child left alone on a city bus could possibly be cause for mirth.”

“Hmm. I think you’re right, friend,” said Saturday, looking serious. “Monday, please write that down for me so I can take it under careful consideration.”

There were subdued laughs at this, though it was not possible to tell from where they came.

“Okay, now we really must be moving on,” said Friday. “Another one, please?”

Several moments passed before Sunday’s hand rose slowly in the air. “Well, I think I might have a poem everyone might enjoy.”

“Now wait a minute,” said Thursday, “is this really going to be a poem, or is it another one of your prayers?”

“It is a poem. Prayers begin ‘Our heavenly Father’ and end ‘Amen.‘ This does neither.”

“Sunday, really, the rules are quite clear,” said Monday. “Riddle, poem, tale, or joke. We all appreciate your position, but this we all agreed from the start. Please do not attempt to inject one of your prayers masquerading as a poem or tale or whatever. It is not appropriate.”

Sunday’s arms crossed. “Never mind, then.”

“Well…If Sunday’s a no-go, I suppose I could tell another joke. This one shouldn’t be objectionable to anyone here. Okay: Why was Six afraid of Seven?

“Because Seven eight Nine,” everyone sing-songed in unison. Only Saturday laughed this time. “Oh-oh-oh, that never gets old!”

“Hrmph,” said Monday. Wednesday began to speak.

"Story of the Door." daveknapik, http://www.flickr.com/photos/daveknapik/3068675810

"Story of the Door." daveknapik, http://www.flickr.com/photos/daveknapik/3068675810

“Alright, then,” Friday got there first. “In the interest of time I am going to take my prerogative at the Front by moving on to my own contribution.”

“What’s it to be, then, Friday,” asked Monday, pen raised over paper. “Riddle, poem, tale, or joke?”

“Tale.”

“Oh, divine!” Arms now uncrossed, Sunday’s previous upset seemed to have been forgotten. “Friday tells the very best tales!”

“Do you wish to further specify a genre?” asked Monday.

“I think it might best be described…as a ghost story.”

Saturday’s hands came together in a single loud, echoing clap. “My friends, we truly are in for a treat!”

Complete silence, then, as all eyes around the table were aimed at the Front.

***End, Part 1.***

***Part 2 here.***

Inspiration: “October in the Chair” by Neil Gaiman, in Poe’s Children: The New Horror, edited by Peter Straub, 2008, Doubleday.

February 21, 2009

Nate Does Oscar

Filed under: Uncategorized — Tags: , , — pprscribe @ 10:00 am
"Film reels." mag3737, http://www.flickr.com/photos/mag3737/458226761/

"Film reels." mag3737, http://www.flickr.com/photos/mag3737/458226761/

Brilliant statistician Nate Silver of FiveThirtyEight.com has lent his considerable numbers crunching talent to the prediction of this year’s Academy Awards. He has Slumdog Millionaire at 99.7% to win for the Best Director category, and 99.0% to win for the Best Picture category.

If there is an upset here, Silver thinks it will be Milk, but perhaps only winning one of these two big categories.

For Best Supporting Actress, Silver has Taraji P. Henson (The Curious Case of Benjamin Button) at a  51% chance of taking the shiny golden man home.

(He has more comments about his predictions on his website here; He also recently appeared on Countdown with Keith Olbermann.)

This is how he figures it all out, as explained in New York Magazine:

Formally speaking, this required the use of statistical software and a process called logistic regression. Informally, it involved building a huge database of the past 30 years of Oscar history. Categories included genre, MPAA classification, the release date, opening-weekend box office (adjusted for inflation), and whether the film won any other awards. We also looked at whether being nominated in one category predicts success in another. For example, is someone more likely to win Best Actress if her film has also been nominated for Best Picture? (Yes!) But the greatest predictor (80 percent of what you need to know) is other awards earned that year, particularly from peers (the Directors Guild Awards, for instance, reliably foretells Best Picture). Genre matters a lot (the Academy has an aversion to comedy); MPAA and release date don’t at all. A film’s average user rating on IMDb (the Internet Movie Database) is sometimes a predictor of success; box grosses rarely are.

That Nate Silver has gotten into the entertainment prediction business is wonderful news for someone like me who rarely ever sees more than three or four of the nominated films prior to the Oscars megaprogram. And who is not that much into fashion, or much interested in knowing who’s zoomin who. Now if I watch I will have something to do–seeing if logistic regression analysis and Oscar history are worthy predictors of who gets to thank the Academy, their agents and mothers at the podium and who must content themselves with claiming “It was an honor just to be nominated.”

Perhaps I’ll even watch the award ceremony with a big bowl of popcorn and a beer or two–the latter in support of my country’s economy: more of Silver’s numbers crunching suggests that beer may no longer be “recession proof.”

February 20, 2009

Legacy

Filed under: Uncategorized — Tags: — pprscribe @ 6:09 am

"Cyborg Face." litmuse, http://www.flickr.com/photos/litmuse/74111927

"Cyborg Face." litmuse, http://www.flickr.com/photos/litmuse/74111927

Friday Earbud Selections:

Imani WindsLegacy Commissioning Project (LCP) commemorates the ensemble’s tenth anniversary through the commissioning of ten compositions by established and emerging composers of color.

Over a five-year period  Imani Winds is commissioning, premiering and touring ten brand new works! The ambitious and already highly successful project is bringing many musical traditions together. Elements  explored embrace African and Afro-Cuban traditions, Asian and Middle Eastern culture as well as Jazz. Upcoming premieres include Daniel Bernard Roumain’s “Five Chairs and One Table” at Carnegie Hall’s Zankell Hall on March 8 as well as the New York Premiere of Jason Moran’s “Cane”.

More streaming music from Imani Winds on their MySpace page.

February 19, 2009

Ur, hao evr, doin it rong…

Filed under: Uncategorized — Tags: , , — pprscribe @ 9:48 am

On the heels of my earlier exploration into post-post racial humor done right comes this fortuitous example of comedy done wrong.

A description of a recent NY Post political cartoon from HuffPo:

A cartoon likening the author of the stimulus bill, perhaps President Barack Obama, with a rabid chimpanzee graced the pages of the New York Post on Wednesday.

The drawing, from famed cartoonist Sean Delonas, is rife with violent imagery and racial undertones. In it, two befuddled-looking police officers holding guns look over the dead and bleeding chimpanzee that attacked a woman in Stamford, Connecticut.

“They’ll have to find someone else to write the next stimulus bill,” reads the caption….

King Conga Inaugural Edition Obama sock monkey. TheSock Obama Co, http://thesockobama.com/

King Conga Inaugural Edition Obama sock monkey. TheSock Obama Co, http://thesockobama.com/

Around the web, the sound of buzz…

  • Commentary from Jack & Jill Politics: “…just remember that black folks as monkeys is one of the oldest and most vile images used throughout our history.”
  • The Unapologetic Mexican calls the paper out for pretending tone deafness about race.
  • Ta-Nehisi Coates is, like, meh but believes it is a “bad” cartoon and joke.
  • The Black Snob notes that this cartoon was “drawn by a guy who apparently didn’t get the memo that any doodle of a great ape, chimpanzee, gorilla or monkey within 100 yards of Barack Obama is bound to raise some serious eyebrows.”
  • More comments at Racism Review and an open thread over at Racialicious.
  • A comment about the back and forth on this cartoon from Nat Turner’s Revenge: “It’s not as silly as a barrel of apes. It belies something ugly, long-standing. It’s just donned a new mask and other people refuse to see what’s behind it despite the storm gale blowing it off.”

Rev. Al Sharpton via his National Action Network:

Being that the stimulus bill has been the first legislative victory of President Barack Obama (the first African American president) and has become synonymous with him it is not a reach to wonder whether the Post cartoonist was inferring that a monkey wrote it? Given that the New York Post cartoonist has come under heavy fire in the past for racially tinged cartoons including the infamous cartoons depicting 2001 mayoral candidate Freddy Ferrer and me in very unflattering ways (that ultimately was used as a campaign tactic to inflame racial prejudices), one cannot ignore that history when looking at this morning’s cartoon.

Meanwhile in a statement from the paper as reported by the Associated Press, the blame for the entire brouhaha is placed elsewhere:

“The cartoon is a clear parody of a current news event, to wit the shooting of a violent chimpanzee in Connecticut. It broadly mocks Washington’s efforts to revive the economy. Again, Al Sharpton reveals himself as nothing more than a publicity opportunist.”

"The 'Curious George' Obama T-Shirt." TerranceDC, http://www.flickr.com/photos/terrancedc/2955427354/

"The 'Curious George' Obama T-Shirt." TerranceDC, http://www.flickr.com/photos/terrancedc/2955427354/

Why the cartoon does not work: Of course political cartoons are not necessarily meant to be ha-ha funny. A Wikipedia entry describes editorial cartoons as using visual metaphors and caricatures to explain complicated political situations, and thus sum up a current event with a humorous or emotional picture. In this case, however, not only is the cartoon not very ha-ha funny, but it fails to explain much at all–complicated or not. In fact, the more I try to tease apart the visual metaphor supposedly being attempted, the more the “explanation” falls apart.

How are the stimulus package and the killing of the rampaging chimpanzee in Connecticut related, either literally or figuratively? There may be links, but if the cartoonist or the newspaper’s editors or anyone else must explain these links, then the cartoon fails as an editorial statement for this reason: It does not stand alone.

Instead, many, many people made their own connections upon seeing this image. In my case, the Travis the chimpanzee case was not the first thing that came to my mind when I saw it. Two White police officers, a dead animal, their drawn and smoking weapons…my first thought was “police shooting of an unarmed suspect.” Then the text about the stimulus package–I wondered if there was something in its provisions I had missed that was not generous enough to law enforcement or something. I was just baffled.

Who might find it especially funny: Or, especially enlightening or insightful as an editorial statement. Honestly, I am not sure. I suppose there are those who feel that the stimulus package is a mauling, rogue, out-of-control mess. I suppose there is a philosophy that the economy should be left to its own devices and not be tinkered with, much like wild animals should be left alone and not be made into pets. (But then in the latter case, the monkey should have been labeled as our tanking economy or something, surely not as the writer[s] of the bill…)

Who might have problems with it: Without a label on the monkey, it is an understandable conclusion for people to reach that the “someone” who wrote the bill refers not generically to the US government or to any other specific person, but to the President himself. Thus someone who is aware of and troubled by the long-standing racist imagery equating Blacks with non-human beasts would find this Obama-as-monkey (and dead monkey at police hands at that) image troubling. Monkeys and apes have been a particular favorite visual stand-in for Black people. This imagery is not the past, but is very much still with us and potentially has very real consequences.

A research study as reported last year in Science Daily:

Crude historical depictions of African Americans as ape-like may have disappeared from mainstream U.S. culture, but research presented in a new paper by psychologists at Stanford, Pennsylvania State University and the University of California-Berkeley reveals that many Americans subconsciously associate blacks with apes.

In addition, the findings show that society is more likely to condone violence against black criminal suspects as a result of its broader inability to accept African Americans as fully human, according to the researchers.

Stanfor University archives, via Science Daily, http://www.sciencedaily.com/releases/2008/02/080207163811.htm

Stanford University archives, via Science Daily, http://www.sciencedaily.com/releases/2008/02/080207163811.htm

So my final analysis: I am not laughing, nor am I enlightened. The cartoon is not merely off-base, it is out of line. I do not, however, think that the cartoonist or the newspaper should apologize for it.

My disdain for non-heartfelt and non-apology apologies is a topic best explored another day.

Humor in Post-Post-Racial USA: Ur doin it rite, akshully

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Nation’s Blacks Creeped Out By All The People Smiling At Them:

WASHINGTON—A majority of African-Americans surveyed in a nationwide poll this week reported feeling “deeply disturbed” and “more than a little weirded out” by all the white people now smiling at them.

First witnessed shortly after President Obama’s historic victory, the open and cheerful smiling has only continued in recent months, leaving members of the black community completely unnerved.

…According to the poll, more than 92 percent of African-Americans have noticed a dramatic increase in the number of beaming Caucasians in their vicinity, as well as a marked rise in the instances of white people making direct eye contact with them on the bus, engaging them in pleasant conversation, and warmly gazing in their general direction with a mix of wonder, pride, and profound contentment. All respondents reported being “petrified” by the change.

“Yesterday, I’m pretty sure the cashier at the Giant Eagle winked at me,” said Eddie Wilkes, a Pittsburgh resident who described himself as “not a politics person.” “Then she said something about what a happy day it was and tried to bump fists. The whole thing gave me the willies”…

Discussion here before about the complexities and challenges of joke-making in this so-called Age of Obama. Joke-tellers everywhere may find themselves walking a thin line between forging new paths in comedic observation and retreading old paths of racist humor. Joke-listeners everywhere may find themselves challenged with their reactions to such jokes. When is offense and indignation justified? When do we allow ourselves to lighten up?

The above Onion satire is, in my opinion, a good example of a hopeful direction in this comedy and is well worth a full read.

Why it works: Like many Onion pieces, this one has an air of borderline (at least) plausibility. Polls like this are taken, names of people and organizations are real and familiar, and the behavior described is not wholly unbelievable. The joke can stand as an observation of the (perhaps temporary) goodwill and brother-/sisterhood towards humans that seemed to sweep many quarters of the country in the time leading up to election night right through inauguration day. Viewed deeper it also subtly pokes fun at the notion of a “post-racial America”: Blacks and Whites still have different views of the same phenomenon, some Whites are still clueless as to their impact on people of other races. The simple regard for Blacks’ humanity is shown simultaneously as previously missing from much interracial contact and likely just a blip in such interactions.

Who might find it especially funny: Some Blacks who have experienced these kinds of reactions might be especially inclined to laugh uproariously at this piece, similar to how I reacted the first time I explored the Rent-a-Negro and Black People Love Us websites. Others who are fighting the feel-good idea/myth/wishful thinking of a post-racial world might also find the piece humorous, regardless of their race and ethnicity.

Who might have problems with it: Some people may take offense at how the butt of the joke is mainly White people and, perhaps more specifically, the largest segment of White people who supported Barack Obama during the campaign (urban, well educated, young). Obama-age humor will be particularly prone to having a “strange bedfellows” quality to it. In this case, both some Black people–both who did and did not supported Obama–and some White conservatives and others who did not vote for Obama may be laughing. But for different reasons.

Let’s try another one. This one is from the popular user-generated Pundit Kitchen site. It depicts a loving moment between the Obamas. Michelle is saying, “Let’s play Naughty Nurse meets the President again.” Barack responds, “Okay, but this time I get to be the President.”

//punditkitchen.com/2008/12/05/political-pictures-obamas-naughty-nurse/

"Let's play Naughty Nurse meets the President again." Pundit Kitchen-LOL builder, http://punditkitchen.com/2008/12/05/political-pictures-obamas-naughty-nurse/

Why it works: Classic comedic reversal of expectations. Because Barack is, in fact, the President–and, is male–the initial assumption from the first line is that when the two play this game Michelle is the “Naughty Nurse” and Barack is “the President.” Of course, the second line throws this expectation on its head.

Who might find it especially funny: Someone who feels that Barack Obama is too “soft” and Michelle Obama too “manly.” So, this might be funny to some detractors of the Obamas. But also, the joke might be funny to someone who believes in the empowerment of women, the positivity of sexual expression, gender egalitarianism, or other such notions. Particularly the empowerment of Black women, the positivity of sexual expression in Black couples, etc. Again, different segments of people will be laughing for different reasons.

Who might have problems with it: Someone who is troubled by what they see as the sexual fetishism that seems to be directed toward this particular President and First Lady, and the racial overtones involved in it. Black women as sexually loose and emasculating, Black men as sexual studs, etc. Also, some feel that this type of joke-making about the leader of our nation is inappropriate no matter who is in office. The presidency should be held in high esteem, according to this view, so this kind of focus on the President’s sex life is disrespectful and inappropriate.

Me? I find both of these examples extremely funny. Hard times are here, with harder times to follow. We’ll all get through them a lot easier if we are able to laugh at ourselves, each other, and our leaders.

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